Pantheon of Wonder

Essay

Abstraction of Colorful Light

13 Architectural Design Questions Inspired by Paul Klee

by Maria Lorena Lehman

Architectural Design

Architecture Drawing

Early on in my architectural education, Paul Klee inspired me when he wrote that “movement underlies the growth and decay of all things.” I think this quote is so true on so many levels — at whatever level of architectural expertise.

I am paraphrasing here but, I can remember this quote coming alive for me as I understood that a point “grows” to become a line just as a column “grows” to become a wall. At its most basic level, this seems to be a simple notion, but there is much to learn by stopping for a moment to contemplate its possible meanings.

“A Line is a Point that Went for a Walk”

The latter is a frequently quoted Paul Klee quote. I like it because it challenges me to think of ways I can use it in my designs. For instance, what if the point is actually an orientation point defining the beginning of an occupant’s physical journey through a building. The line can then become the culmination of that occupant’s steps through the building. Hence, in its simplest form, that circulation route may begin to define a physical and experiential journey for the senses through an architectural space(s).

The gist of what I am saying is this: Every point you incorporate within the design of your building culminates in an overarching experiential journey — starting as a vision, then a point, then lines and so on. Ultimately, as an architect, you are building an experience. That may not be the only thing you do…but you are designing “walks”.

Simple Ideas Can Help Solve Complex Problems

Using Paul Klee’s quote as a way to make us think beyond the “line”, ask yourself these questions about your projects. Here, the “walk” refers to your occupants and how they engage in and perceive their journey through your building:

-What should that “walk” be like? What mood do you intend to stir?

-Who should go on that “walk”? How far do they “walk”? With whom?

-Is the “walk” different for different people? Ages? Genders?

-When do they go on that “walk”? Morning? February? 2 o’clock?

-How do they know where to “walk”?

-How do they know when to “walk”?

-Does their “walk” change each time they do it?

-Is there a story or narrative that makes up their “walk”?

-What happens to mark different milestones along their “walk”?

-Is there repetition during their “walk”?

-What do they do during their “walk”? See? Work? Listen? Be still?

-What happens at the end of their “walk”? Silence? Fanfare? Rest? Healing?

-What will they remember about their “walk”? Beauty? An idea? Something they’ve never seen before? A job well done?

In the end, it is nice to revisit some fundamental design ideas. Often to our surprise, they make us think about current complex design problems anew.

Image Credit: © kamikazecactus | Flickr

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through an architectural design lens.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Let’s enjoy the beauty, inspiration, and hope that music brings.


Thank you for joining me on this wondrous journey.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER® | Orchestral Notes

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through an architectural design lens.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Limited availability each month.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER

Author of PANTHEON OF WONDER

Maria Lorena Lehman has received the following awards and has been seen in the following publications: