Pantheon of Wonder

Essay

Abstraction of Colorful Light

Architecture Beyond the Visual Sense

by Maria Lorena Lehman

Neuroscience

Architecture Drawing

More than Meets the Eye

Architecture has so much to offer occupants, particularly when designing for all the senses — going beyond the visual.

As explained in the Alan Saunders’ radio show, “Beyond Appearances – Architecture and the Senses”, the general public has come to know many architectural works by way of photography and other similar medias. People think of most architecture predominantly with their visual sense, excluding many of the wonderful characteristics that make a building more whole and full of life. (1)

Yes, architecture is visual, but it is also a wonderful way to experience renewed haptic, audio, olfactory and even taste senses. In this article, we will take a closer look at just how architecture can make the most of these other senses — even tapping into some additional senses that occupants just need to have “turned on”.

More than Five Senses

The major five senses that you often hear about are not necessarily the only senses that architects need to keep in mind as they design. Rebecca Maxwell, a writer who lost her sight at the age of three, describes her experience of other senses when she interacts with architecture. Some other senses that she describes are:

  • sense of pressure (1)

  • sense of balance (1)

  • sense of rhythm (1)

  • sense of movement (1)

  • sense of life (1)

  • sense of warmth (1)

  • sense of self (1)

As an architect, you should be aware of such other senses as you design. For instance, I find it interesting when Rebecca Maxwell states that an “air-conditioned building feels dead”. (1)

Just imagine how many variables that go into your designs that could make all the difference in awaking your occupants as they experience a space. A building can exist as a finely tuned instrument that interacts with occupant senses at just the right moments in their experience.

The key is to understand what you can about how the human sensory system works, making you more aware about how your design gestures will truly impact your occupants — from all dimensions.

How Do You Design for the Sense of Taste?

Let’s start with this great quote by the Finnish architecture theorist Juhani Pallasmaa:

” There is a subtle transference between tactile and taste experiences. Vision becomes transferred to taste as well; certain colours and delicate details evoke oral sensations. A delicately coloured polished stone surface is subliminally sensed by the tongue. Our sensory experience of the world originates in the interior sensation of the mouth, and the world tends to return to its oral origins. The most archaic origin of architectural space is in the cavity of the mouth.” (2)

Here, Juhani Pallasmaa describes just how far we can go. And, believe it or not, we can go further.

Architecture really does have so many possibilities — many of which we simply ignore or don’t think about as we design. Keeping an understanding of how materials and their arrangements impact occupants will go far in making your designs that much stronger, particularly as we enter an era with evermore technology and heightened architectural interaction.

Architectural Technology and the Senses

Integrating more and more technology into architecture seems to heighten some senses and suppress others. Of course, it will still be important to design principle architectural elements paying attention to fundamental features for safety, aesthetics and function — but how will embedded computing technologies impact architectural design; and thus, occupant experience?

It is especially important that architects not ignore the sensory “side-effects” of such emerging technologies. When not integrated into your designs properly, varying sensory and experiential problems can surface; such as, cognitive overload, sensory deprivation and other forms of “painful” stimuli.

In order to integrate architectural technology in the best way, you should pay attention to things like glare, unwanted HVAC sound and meaningful opportunities for haptic interactions. (These are just a few)

Architectural technology will continue to provide many benefits for people experiencing our public buildings; however, it is important to make sure that such technologies don’t detract from a more profound and meaningful architectural experience — ultimately impacting overall aesthetics, safety and function.

References:

(1) Saunders, Alan. Beyond Appearances – Architecture and the Senses. Aired (radio): November 2004.

(2) Pallasmaa, Juhani. (2005) The Eyes of the Skin: Architecture and the Senses. Wiley-Academy: Great Britain. (p. 59)

Image Credit: © Dreamstime

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through an architectural design lens.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Let’s enjoy the beauty, inspiration, and hope that music brings.


Thank you for joining me on this wondrous journey.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER® | Orchestral Notes

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through an architectural design lens.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Limited availability each month.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER

Author of PANTHEON OF WONDER

Maria Lorena Lehman has received the following awards and has been seen in the following publications: