Pantheon of Wonder

Essay

Abstraction of Colorful Light

Can Architectural Symbols Help Occupants with Recalling Memory?

by Maria Lorena Lehman

Neuroscience

Architecture Drawing

In recent lab tests, studies are showing that it is possible to replay memories within a rat’s brain to restore its memory. By using an implant, signals are sent to the hippocampus part of the brain by recording and replaying electrical activity of neurons. (1) Here is a brief excerpt describing this process a bit more:

This implant operates on the same principles as other neural prosthetics, communicating with the nervous system using electrical signals. Instead of sending signals from the brain to control a prosthetic arm or a computer cursor, however, this system sends the signals to another part of the brain. (1)

So what does this have to do with architecture you may ask?

In thinking about how architecture affects the humans that experience it, I wonder what effects on the brain such buildings as museums, memorials, ruins or other historical buildings might bring. And in this line of thinking, I would like to know how architectural symbols impact architectural perception — whether that architecture is meant to represent an event (present , past, or future), a thing or even a person.

Is designing and building an architectural symbol a way to “replay a memory”?

In theory, such architectural symbols have opportunity to teach memories, where a collective event, or a relationship can be better understood, explored further and even built upon.

When you design, do you ever consider what within your work might become such an architectural symbol? Even if it is not an overt grand gesture like the Taj Mahal, perhaps even a significant detail within your architectural built work might serve as a symbol for someone that experiences your building. And in the end, that does give it a form of meaning.

If so, ask yourself what your architectural symbols mean to your building occupant? What is it that they “replay” in their memories (whether positive or negative). Then understand why and how those architectural moments work. After all, by dissecting what about your architectural designs become symbolic for people, you will take on a much deeper understanding about what your current architectural designs are doing for your occupants, as well as how to build upon them in your future projects.

So in the end, perhaps architectural symbols are one way to replay a memory for occupants. How can you use this to your advantage as an architect? And at what times would you choose not to?

Reference:

(1) Ross, Valerie. Brain Implant Restores Memories in Rats by Recording & Playing Them Back. Discover. June 20, 2011.

Image Credit: © foxypar4 |Flickr

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through an architectural design lens.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Let’s enjoy the beauty, inspiration, and hope that music brings.


Thank you for joining me on this wondrous journey.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER® | Orchestral Notes

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through an architectural design lens.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Limited availability each month.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER

Author of PANTHEON OF WONDER

Maria Lorena Lehman has received the following awards and has been seen in the following publications: