Pantheon of Wonder

Essay

Abstraction of Colorful Light

Can Friendship Dictate Computer Language of Algorithmic Architecture?

by Maria Lorena Lehman

Algorithmic Architecture

Architecture Drawing

Algorithmic Design for Sensemaking

In the image above, you can see how beautiful and revealing the implementation of algorithmic processes can be. To help you better understand what is going on in the above image, here is the author’s explanation about the mysterious and beautiful form patterns. It is curiously and simply called “Happy Place:

“256 nodes with friendships to other nodes tied together using the following rules: get as close to friends as possible, and get away from everyone else. Drawing lines between friends the above image is generated (unique with each execution).” (see source here)

When you combine the power of understanding occupant and human relations and behavioral patterns with the dynamics and fluidity that computational design can bring, you have quite a unique coupling that can unleash not only an adaptive architecture but also a highly customized and optimized one — algorithmic architecture.

Algorithmic architecture is about more than creating a three-dimensional “map” or “visualization” of real-time activity. It brings with it a sense-making ability that ties computer language and algorithms together. Suddenly, buildings are at once gaining incredible scalability and permutability, which as always, leaves it up to the designer as to how to set the language which interprets the algorithms. Thus, design is still in the hands of the designer.

How Would You Make Algorithmic Architecture Work for You?

Just imagine if you could take a building and watch it grow. As the designer, what “rules” would you have your building follow? How would you try to optimize its function? And its beauty?

With algorithmic architecture, it seems to me that we can build and envision entirely new ways to make built environments not only happier but healthier for those that inhabit them, by tweaking certain key inputs or processes to generate some pretty amazing environmental built forms.

Similar to the rendering above which illustrates the “friendship” behaviors between “nodes”, you could use algorithms to generate designs that grow from the behaviors of your occupants and their surrounding contexts. You, as an architect, would design a new kind of “occupant-centered” architecture — generated from your own language which sets these rules and interprets them.

So tell me, how would you use algorithmic architecture if you could solve the biggest challenge in your design today. How would you want to optimize your buildings, tap into relationships that are happening between its pieces and parts or even interact with your occupants in entirely new ways?

‍Image Credit: jared | Flickr

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through an architectural design lens.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Let’s enjoy the beauty, inspiration, and hope that music brings.


Thank you for joining me on this wondrous journey.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER® | Orchestral Notes

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through an architectural design lens.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Limited availability each month.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER

Author of PANTHEON OF WONDER

Maria Lorena Lehman has received the following awards and has been seen in the following publications: