Pantheon of Wonder

Essay

Abstraction of Colorful Light

Design Proximity and Timing to Help Avoid Sensory Side-Effects

by Maria Lorena Lehman

Architectural Design

Architecture Drawing

Design Solution: Proximity

Have you ever formulated a solution for a design problem, and then discovered that your solution created other new problems? For example, within museums exhibits are often placed near small micro theaters that play films all day. And while it is great to have this type of multi-media film experience, the film’s soundtrack creates noise that can actually interfere with other nearby exhibits. In this case, proximity of a design solution matters.

Design Solution: Timing

Just as proximity of sensory stimuli is important to consider when integrating a feature into your design, technology is another realm that can bring symptoms and side-effects if not incorporated properly. You see, technology often gets “added on” to an environment – often, in a “default mode” of designing. Without really questioning or investigating the different functionalities that a technology brings, an environment can become “painful” for its occupants. For example, healthcare technologies in a hospital can often trigger more anxiety in patients, as their sounds disrupt critical healing behaviors like sleeping or contemplation. It becomes important to consider not only the proximity, but also the timing of design features (like technology) that get incorporated into environments.

Design Solution: Convergence

As you can see, finding a design solution is not enough – one must also determine how to hone and refine this solution to avoid any side-effects it may bring. A helpful mindset shift to make as an environmental designer is to think about the “convergence factors” of your design solution. Whenever possible, think about how your design feature is behaving – both to solve your initial design problem, but also to uplift quality of life in the space. Look for ways your design features can reach that convergence point, where it solves for many design challenges with one solution (and does not create any additional side-effects). For instance, if an HVAC output is too noisy (proximity) within a room when someone is trying to speak (timing), then it is important to find the convergence point where HVAC functionality can occur without interfering with room activities. Often, there will be a “sweet spot” where your design feature shifts from being a painful disturbance, to being an uplifting experience. Within your design, always iterate until you find this convergence point.

‍Image Credit: © Sasint | Pixabay

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through an architectural design lens.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Let’s enjoy the beauty, inspiration, and hope that music brings.


Thank you for joining me on this wondrous journey.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER® | Orchestral Notes

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through an architectural design lens.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Limited availability each month.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER

Author of PANTHEON OF WONDER

Maria Lorena Lehman has received the following awards and has been seen in the following publications: