Pantheon of Wonder

Essay

Abstraction of Colorful Light

Design User Experience by Immersing Yourself in Your Vision

by Maria Lorena Lehman

User Experience

Architecture Drawing

I wonder if one can say that what you put into your architectural design, your occupants will get out of it? Yet, I do not necessarily think that the amount of time or money spent on a project is linearly reflected in its positive or negative outcome for occupant experience. Yes, it can help…but with the proper design ingenuity and by capitalizing on the right leverage points within your design process, your architectural designs can speak volumes to your occupants no matter how large, small or costly the project.

However — does the level of “immersion” with which you design get carried through into your occupants’ experience of your design? And what makes for good design immersion?

Well, another word for immersion is “absorption”, also defined as “the state of being deeply engaged or involved. In light of this definition, I must say that most often reaching the proper level and state of immersion while you design user experience in a building can work wonders for creating an equally immersive environment for your occupants. For, such an environment will cradle your occupants in such a way as to not only alleviate their functional needs, but to also present them with an architectural world that seamlessly and almost invisibly brings beauty into their lives. 

How to Think Immersively When You Design

In today’s day and age, when speaking of an immersive environment, people generally think of virtual reality spaces in terms of another world often filled with things like amazing graphics, avatars and new rules that make up the physics to their new world. However, much can be learned from such virtual reality environments…especially when you bring those lessons back into the daily life of your occupants.

For starters, immersive experiences can occur for your occupants well within your physical, and very real, architectural buildings. I think that in order to do this, however, you as an architect need to truly “immerse” yourself within your environments as you create them. This requires that when you design, you go beyond the programmatic needs of your occupants so you can instill that poetic value within your future building. After all, if you can feel the poetics of a building on your drawing board, the probability of your occupants feeling it once built will be greatly increased.

Image Caption: A Second Life shopping mall design that reflects trends instantly, showing what people buy, current fashions, quality levels and so on.

Image Credit: © Torley | Flickr

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through an architectural design lens.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Let’s enjoy the beauty, inspiration, and hope that music brings.


Thank you for joining me on this wondrous journey.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER® | Orchestral Notes

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through an architectural design lens.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Limited availability each month.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER

Author of PANTHEON OF WONDER

Maria Lorena Lehman has received the following awards and has been seen in the following publications: