Pantheon of Wonder

Essay

Abstraction of Colorful Light

Digital Manufacturing for Algorithmic Architecture

by Maria Lorena Lehman

Algorithmic Architecture

Architecture Drawing

The notion of manufacturing algorithmic pieces like panels, structural systems and other elements and components that go into making a building, pose some interesting questions and ideas for you, as an architect, to consider.

In fact, trying to turn algorithmic architecture into a reality is quite a challenge today. It requires the manufacturing of materials that can move about, shift location and morph — all aspects that make digital manufacturing a little ways off.

I read an article recently that describes how people often think that algorithmic architecture does not relate to the context of a place. That by simply pushing a button, the designer does not really…well, design. So when an algorithmic building is built within a real-world site, how does it acquire the context? How does it relate to unique surroundings when, it seems to some, merely “pushing a button” will make a design that only comes up with new variations upon itself — without truly addressing what surrounds it. (see article here.)

How do Algorithmic Architecture Context and Digital Manufacturing Tie Together?

Just because an algorithmic architecture uses computation to greatly speed up, and to hopefully enhance its design output, does not mean that it has less context. Yes, it may look different from those buildings which surround it. But how different? In which ways? And is it better or worse?

I think that the notion of “boundary” will take new precedence as algorithmic architecture becomes more of a reality. And I think that the way in which materials are digitally manufactured and assembled will play a large role in the way algorithmic architecture is received.

Often, the language of boundary between a building and its context manifests through its materials and their construction. It will be up to the architect to make sure all of these variables are in balance; for, what they put in, will grow into a result. And the way this result is constructed will rest in the hands of the architect, the materials they designate, the construction of those materials and their overall sensitivity to the building’s surroundings throughout.

‍Image Credit: LaN_Luis | Flickr

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through an architectural design lens.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Let’s enjoy the beauty, inspiration, and hope that music brings.


Thank you for joining me on this wondrous journey.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER® | Orchestral Notes

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through an architectural design lens.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Limited availability each month.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER

Author of PANTHEON OF WONDER

Maria Lorena Lehman has received the following awards and has been seen in the following publications: