Pantheon of Wonder

Essay

Abstraction of Colorful Light

The Effects of Calm Technology within Environments

by Maria Lorena Lehman

Technology

Architecture Drawing

As evolutionary trends continue, emerging technologies are getting smaller, cheaper, and smarter — all of which push technology to become evermore ubiquitous. And as technologies continue to integrate into our daily lives through architectural environments, such innovations evolve to not only become more flexible, interactive and adaptable; but to eventually disappear.

This notion of “disappearing technology” is not a new one. In fact, during a recent seminar, Alvin Huang pointed out that the Father of Ubiquitous Computing, Mark D. Weiser, taught that “technology is at its most powerful when it disappears”. (1)

“Ubiquitous computing names the third wave in computing, just now beginning. First were mainframes, each shared by lots of people. Now we are in the personal computing era, person and machine staring uneasily at each other across the desktop. Next comes ubiquitous computing, or the age of calm technology, when technology recedes into the background of our lives.” (2) — Mark D. Weiser

This idea of “calm technology” is an interesting one as we consider how architectural technology is evolving into the future. And as such technology gets increasingly embedded in daily activities, it becomes important to ask:

What happens to environments once technology disappears?

Five Effects of “Calm” Architectural Technology

As innovations in technology evolve, they will have definite effect on environments and the occupants whom they serve. But just what effects can we expect? And how will these change the way people live? The following are five key outcomes of calmer environmental technology.

  • Less resistance toward comfort: As technologies advance, they will be better able to sense (and make sense of that incoming data) to actuate better, more comfortable, environments for occupants in real-time.

  • Increasingly fluid experience: Technologies will be better able to synchronize with each other to yield more fluid architectural experiences for occupants.

  • More natural interfacing: The language by which occupants and architectural technology communicate will become more natural for occupants. By which a new “language” will hardly exist at all. For example, as the computer keyboard and mouse give way to hand gestures — the evolution of interfacing is showing how they physical manipulation of technology is disappearing.

  • Better synergy in design integration: Technology will be more seamlessly fused with architectural design, where technology will no longer be tacked on as an afterthought during the design process.

  • Easier maintenance: As technology evolves, it will become easier to maintain. Again, this is another way in which it will “disappear”.

The Architectural Technology Fusion

Finding the boundary between architecture and technology will become increasingly difficult as the two continue to merge. Each relies upon the other to yield built form that aims toward increased comfort, more fluid experience, more natural interfacing, better design integration, and easier maintenance.

So, what happens to environments when technology disappears?

Hopefully, architectural space will become more about the designer’s intended vision. It will be increasingly possible to realize the complex (1), and it will be equally possible to make it experientially meaningful. Technology for architecture is not going away, it is simply becoming a given — where space can become transient, comfortable and poetic in entirely new ways.

References:

(1) Gerber, David and Huang, Alvin. How to Succeed in Architecture: New Trends in Computing that will Change the Architecture Profession. Novedge Webinar. Streamed live: October 2, 2014. Accessed from: https://www.youtube.com/watch?v=PWrVvlDIixU#t=815

(2) Wikipedia. Mark D. Weiser. http://en.m.wikipedia.org/wiki/Mark_Weiser

Image Caption: In the above image you can see technology disappearing and getting calmer in the evolution of lighting from a candle, to a tungsten bulb, to a fluorescent bulb, to a halogen bulb, to LED.

Image Credit: © chones | Fotolia

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through architectural design.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Let’s enjoy the beauty, inspiration, and hope that music brings.


Thank you for joining me on this wondrous journey.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER® | Orchestral Notes

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through architectural design.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Limited availability each month.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER

Author of PANTHEON OF WONDER

Maria Lorena Lehman has received the following awards and has been seen in the following publications: