Pantheon of Wonder

Essay

Abstraction of Colorful Light

Giving Architecture a “Sense of Place”

by Maria Lorena Lehman

Sense of Place

Architecture Drawing

Greater than the Sum of its Parts

What should the term “sense of place” mean to you as an architect?

A “place” is a simple term at first glance; but when you delve deeper, various issues spring forward…

For starters, there are specific features that usually tend to come together to make up a “place”. One of these features might include a physical configuration like having a center with boundaries, neighboring sub-center clusters and a peripheral fringe. A “place” also usually has a type of circulation embedded within it, one that is accessible and efficient. Many things can come together to make a “place”, but when a design has a “sense of place” it often becomes greater that the sum of its parts.

When Architecture Communicates

There is probably a moment when a simple “place” exudes a “sense of place”; most evident when providing an “orientation” that contributes to the community or culture that is larger than it. Some have even said that architecture with a “sense of place” has “soul”.

As your architecture takes form, you should keep the idea of “orientation” in mind. This involves factors like time, identity, style, community and culture. When you design architecture you engage in the act of “placement”, and for your design to be successful, it must communicate.

Architectural “orientation” and “communication” are intrinsically linked.

Increasing Your Building’s Potential

By designing and building, you will experience how “places” grow and expand, get redeveloped, are preserved, demolished or get integrated with another place. Places morph — yet, does this mean that a “sense of place” can change? Sometimes the lifespan of a “place” is short and other times it is long-lived.

Whatever the case, the key is for you to be on the “pulse” of how to contribute to a given condition — by both finding “orientation” and designing for your “landscape”.

You should constantly question what a culture, community or individual needs. Design a vision — not a building that purely meets programmatic requirements, but architecture with a refined sensitivity to “orientation”.

By thinking about how your design is “oriented”, your building will relate to so much more — your “landscape” will become richer and your building’s potential will become greater, more timely and more meaningful.

Image Credit: © Steve Kingsman | Dreamstime

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through an architectural design lens.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Let’s enjoy the beauty, inspiration, and hope that music brings.


Thank you for joining me on this wondrous journey.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER® | Orchestral Notes

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through an architectural design lens.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Limited availability each month.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER

Author of PANTHEON OF WONDER

Maria Lorena Lehman has received the following awards and has been seen in the following publications: