Pantheon of Wonder

Essay

Abstraction of Colorful Light

How Architecture Space Can Thrive by Pulling Information Patterns

by Maria Lorena Lehman

Information Visualization

Architecture Drawing

Buildings today continue to move from static to fluid design, and this fluidity is expressed by integrating not only new materials with amazing behavioral properties, but also by pulling information patterns from a building’s context. Interestingly, it is this “pulling” of sorts that can bring architectural fluidity toward architectural adaptability.

So, what does it mean for a building to pull? And where might it pull from?

As we can see with the internet, our mass populations are collecting large quantities of information about the world in which we live — with cues about how we live in that world. As an architect, you should look upon such collections as proverbial goldmines, within which you can sift to find nuggets of collective wisdom for you designs.

Extracting information and capitalizing upon it can be easier said than done. A building that pulls information from the internet, a country’s population, a weather pattern or even a neighborhood’s political race, can range from “ingenious” all the way to “controversial”. Suddenly, your designed architecture space can find new ways to engage and interact with its surrounding contexts — and when executed correctly can help those that experience it.

Does an architecture that pulls from the masses merely act as a mirror? An interpreter? Or as the loyal opposition?

It’s all In the Stars

Just like the seemingly infinite array of patterns found in the sky above, you can use your building as an outward demonstration of what is otherwise be an intangible mass. The real question becomes…”How can “pulling” help your building to be better?”.

Over time, stars have served a multitude of purposes. Humans look to them for everything from night gazing for their beauty to life-dependent navigation. And similarly, architecture can do more than help people to “visualize” information — especially when that information is pulled into three- and four-dimensional form.

When there are masses, there are patterns — behavioral, emotional, inspirational spiritual and so on. Yes, it is important that you listen to the elite few as you design your buildings and push for them to exceed your last, but it will also help for you to take a look in the unexpected and untapped places where the “masses” congregate. Figure out how to pull that information into your architectural design, and then use that knowledge to equip yourself and your building to respond with not only elegant fluidity but humane and beautiful adaptability.

Image Credit: © NASA Goddard Photo and Video | Flickr

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through an architectural design lens.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Let’s enjoy the beauty, inspiration, and hope that music brings.


Thank you for joining me on this wondrous journey.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER® | Orchestral Notes

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through an architectural design lens.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Limited availability each month.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER

Author of PANTHEON OF WONDER

Maria Lorena Lehman has received the following awards and has been seen in the following publications: