Pantheon of Wonder

Essay

Abstraction of Colorful Light

How the Smart Building will Redefine Flexibility

by Maria Lorena Lehman

Smart Environment

Architecture Drawing

Ubiquitous computing is in the works and so is the smart building.

From portable computing to smart devices and from calm computing to wearable computing, architecture will no longer exist as a static “frame” which surrounds activity. Instead, buildings will begin to “move” around their occupants — as if to gain a nervous system.

Networks will help Buildings be Smart

Computers are getting smaller and they are being increasingly networked. The result will be buildings that communicate with both their exterior and interior environments. Since computers will be embedded in just about everything, from environmental objects to occupant clothing, designing for this type of ubiquitous computing evolution will be both challenging and amazing.

For starters, buildings will have to protect while also allowing for a renewed openness which we currently don’t see. As architects we will need to re-think the notion of boundary as it relates to what occupants can do within a space — and as it relates to what a space can do around an occupant.

Boundaries Become Flexible

Thus, as architectural space gains renewed function, flexibility will also be redefined. Some current “boundaries” will become more flexible, while others may completely disappear.

The notion of scale, for example, will undergo a shift within the architect’s mindset. With advancements in fields like nanotechnology, architects will rethink what materials can do. This coupled with ubiquitous computing will yield buildings where experiences for occupants will be more personalized. Yet, such personalization does not mean isolation. Building occupants may have individual needs met while still remaining part of their building, town, city and even global communities in real-time.

The important thing for architects to remember is that ubiquitous computing does not just affect computer devices and technologies. These things will become a part of the environment — and as they are embedded, it is up to architects to design so that when buildings communicate with such devices, everything is synchronized to yield healthy and human state-of-the-art environments.

Image Credit: © maistora | Flickr

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through an architectural design lens.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Let’s enjoy the beauty, inspiration, and hope that music brings.


Thank you for joining me on this wondrous journey.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER® | Orchestral Notes

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through an architectural design lens.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Limited availability each month.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER

Author of PANTHEON OF WONDER

Maria Lorena Lehman has received the following awards and has been seen in the following publications: