Pantheon of Wonder

Essay

Abstraction of Colorful Light

How to Design for Your Occupants Sense of Building Orientation

by Maria Lorena Lehman

User Experience

Architecture Drawing

Buildings often rely upon wayfinding design to give their occupants a sense of building orientation, and to perhaps spark that mental map that tells them where they have been as well as pointing them in the direction of where they need to go. And while wayfinding signage and other directional elements found within buildings can be helpful, I do think that a good architectural design should not be dependent upon such signage. That is, the design should inherently convey to its occupants a sense of where they are when within it, and a sense of direction subtly instructing them on how to get to where they want to go.

For instance, an implied axial alignment of a well-positioned window which lets in a certain quality of light can pull an occupant in that direction if they sense it from another room. Another example is one of an exterior building element which wraps around the corner of a building in a way that pulls pedestrians toward the entrance as they are subtly cued to turn the corner.

Thus, within your designs there are ways to gently pull your occupants through, as they experience a harmonization of building orientation elements, where one leads to the next. And as such, designed building elements (as opposed to wayfinding signage) can be used as milestones to be experienced along your occupants’ journey. Additionally, such architectural milestones serve to not only pull your occupants through your building, but to also create a mental map created in your occupants’ minds about the experience of your building as it will be stored within their memory.

In designs where it is important for an occupant to get from point A to point B, without getting lost and within the shortest time frame — such mental maps and experiential architectural milestones should be considered. As such, there are times were it is just simply not enough to only use color or material texture to imply a change in location within a building. For instance, this may not work well for your occupants, as can be seen within many hospitals or office buildings today, where corridors and rooms become redundant and repetitive in their layout and are only distinguished based on color change throughout the design.

To help with a more memorable and intuitively easy to navigate building design, think about the milestones that your occupant will experience along their journey when within your building. Use wayfinding signage as needed, but as an architect do not become overly dependent in your reliance upon such signage because you will be missing out on great opportunities with which to engage your occupants by taking them on a unique and memorable journey that “fits” your building, its occupants, and its intended functions.

Think of building orientation as a design challenge — where its solution can lead to more comprehensive, customized and intuitive building designs.

Image Credit: © ragnar1984 | Flickr

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my full attention to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer and spatial symphonist.


It is my hope that I can share my ongoing musical journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical works.


I would love for you to join me for this exciting new chapter.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Let’s enjoy the beauty, inspiration, and hope that music brings.


Thank you for joining me on this wondrous journey.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER® | Orchestral Notes

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my full attention to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer and spatial symphonist.


It is my hope that I can share my ongoing musical journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical works.


I would love for you to join me for this exciting new chapter.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Limited availability each month.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER

Author of PANTHEON OF WONDER

Maria Lorena Lehman has received the following awards and has been seen in the following publications: