Pantheon of Wonder

Essay

Abstraction of Colorful Light

Inspiration from a “Convergent Assembly” Nano Building System

by Maria Lorena Lehman

Nanotechnology

Architecture Drawing

Why does inspiration strike when thinking about building design in terms of a convergent assembly of elements? Well, here is an explanation about just what a “convergent assembly” means for manufacturing at the molecular level.

Today's manufacturing methods are very crude at the molecular level. […] One robotic arm assembling molecular parts is going to take a long time to assemble anything large — so we need lots of robotic arms: this is what we mean by massive parallelism. While earlier proposals achieved massive parallelism through self replication, today’s “best guess” is that future molecular manufacturing systems will use some form of convergent assembly. In this process vast numbers of small parts are assembled by vast numbers of small robotic arms into larger parts, those larger parts are assembled by larger robotic arms into still larger parts, and so forth. If the size of the parts doubles at each iteration, we can go from one nanometer parts (a few atoms in size) to one meter parts (almost as big as a person) in only 30 steps.

zyvex.comIntroduction to the Core Concepts of Molecular Nanotechnology

The Future of Scalability in Architecture

As if to build upward from some sort of DNA structure, building an assembly of parts at smaller scales then fitting that assembly within a larger assembly give should give you “food for thought”.

What if, as an architect, you could design a sort of “DNA seed” from which your buildings would grow, not only as they are built, but also as they age over time? Could your initial design “seed” create a better outcome for your building during it’s use — especially in its later years? Well, this “seed” approach definitely calls for designing a building system with a different design mindset — a sort of “genetic” approach to design execution.

In other words, your notion of “scalability” would directly impact your final product, which would be more of a real-time rule-based system. It would be an architecture that appears to grow. Certainly different from the architecture we see today.

I challenge you to think of your building’s system in a slightly different way. In the future, it will be more than just a system made up of parts that come together at scales that you can easily “see” in one glimpse, but as a system with the power to mold itself into an almost infinite array of possibilities — but where your design vision sets its inherent order. Hence, I am speaking of a more adaptive building system approach.

But still, today we typically build a “what you see, is what you get” architecture. Instead, I see that we are at the advent of having more “genetic” building systems.

Building and assembling at the molecular level certainly brings with it some challenges, especially as the iterative process of scaling the manufacturing process upward needs to be resolved. Similarly, architects must work to design their building system from extreme detail to the scale that encompasses global and cultural concerns.

Nevertheless, your building sits upon your design ideas as it reacts to its own surrounding environment. Your design vision and execution becomes your building’s fingerprint from which it adapts, behaves and stands strong.

Image Caption: Individual atoms in a 90 nanometer scoop of Nitinol.

Image Credit: © jurvetson | Flickr

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my full attention to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer and spatial symphonist.


It is my hope that I can share my ongoing musical journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical works.


I would love for you to join me for this exciting new chapter.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Let’s enjoy the beauty, inspiration, and hope that music brings.


Thank you for joining me on this wondrous journey.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER® | Orchestral Notes

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my full attention to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer and spatial symphonist.


It is my hope that I can share my ongoing musical journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical works.


I would love for you to join me for this exciting new chapter.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Limited availability each month.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER

Author of PANTHEON OF WONDER

Maria Lorena Lehman has received the following awards and has been seen in the following publications: