Pantheon of Wonder

Essay

Abstraction of Colorful Light

From Hand-Drafted Building Blueprints to Virtual Models and Beyond

by Maria Lorena Lehman

Digital Media

Architecture Drawing

Technology does not just affect the way we construct buildings. It also affects the way you as an architect communicate your vision. From the time of drafting building blueprints by hand to our present day drafting carried out in virtual model spaces, your goal as an architect is still the same — to realize your vision and communicate it back to yourself as well as to others.

Yet, I cannot help but question what within the design process is different within an architect’s mindset as they work to develop building blueprints by hand-drafting versus creating those all-too-familiar AutoCAD drawings. First, I would say that because changes seem easier to fix due to all of the AutoCAD X-referencing which can populate one change on one drawing through the entire set, architects today are encouraged to simultaneously experiment and work more quickly (depending upon what stage of the project they are in).

Secondly, I would also estimate that because AutoCAD can be very seamlessly linked to 3-D modeling programs such as 3-D studio Max, it becomes possible to see a more realistic representation of an architectural idea — think high level of light analysis, material analysis, and so on. Additionally, within those 3-D virtual models, it becomes possible to simulate actually walking through or driving by a virtual world model of that vision.

Thus, we have come a long way since those hand-drafted building blueprints. But what can the previous method of creating those building blueprints do for an architectural design vision that today’s digital methods of creating drawings cannot?

I will say from my own experience, that there is a slightly different feeling when I draw with my hand as compared to when I draw with a mouse.

Somehow when drawing by hand there is an inherent freedom which can be lost when using a computer if a designer is not using it as a tool to realize their vision. Since programs like AutoCAD come preset with features such as “snap to endpoints/midpoints” or its semi-resistance to free-form shapes, I think it is important for you as an architect to always remember that the computer is your tool — so do not let it determine the boundaries within which you draw, and within which you think your vision to life through those drawings.

In the end, I think it is important to remember how we as a profession used to do things — and when considering those hand-drafted building blueprints, think about what made them beautiful and inspiring to create. Then let that inform how you work with your present-day tools as an architect today.

Image Credit: © tamburix | Flickr

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through architectural design.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Let’s enjoy the beauty, inspiration, and hope that music brings.


Thank you for joining me on this wondrous journey.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER® | Orchestral Notes

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through architectural design.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Limited availability each month.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER

Author of PANTHEON OF WONDER

Maria Lorena Lehman has received the following awards and has been seen in the following publications: