Pantheon of Wonder

Essay

Abstraction of Colorful Light

Revamping Architectural Acoustics using Computer Technology

by Maria Lorena Lehman

Technology

Architecture Drawing

We all know that computer technology has done a lot to advance not only the way the design process can work, but also to improve the constructed outcome of that design process.

That’s why I think it’s important to shed some light on what “aural renderings” can do. (1) You, as an architect, can actually listen to a designed space as built to the parameters of your three dimensional CAD model. Here is a detailed description of the process that goes into creating such an aural rendering:

A 3-D model of the space is built using CAD software, and this model is transferred to an acoustical modeling software package. The acoustical consultant assigns acoustical properties to the modeled room’s surfaces (or potential construction materials) and places sound sources and listener locations. The software then calculates the propagation of sound from the source to the listener using algorithms based on ray-tracing combined with statistical reverberation calculation and other techniques to account for sound scattering and diffraction. The calculated room impulse responses are then convolved with audio material that has been recorded anechoically – in a space free from echoes or reflections – to generate a realistic and listenable result (a piano recital, a busy wedding banquet, or a ceremonial speech as it will sound in the yet-to-be-built space). (1)

Experiencing Your Building before Your Occupants Do

Yes, you can visualize your building’s design and perhaps its final outcome, but so many variables are at play once the building is constructed. Can you be certain that your designed spaces will not only function, but also feel the way you intend?

Simulation technologies can be an extremely helpful tool to you during your design phases. And they can be quite valuable as you must make many decisions during those phases to produce a quality architectural design that realizes your vision.

For instance, the aural qualities to a space may not be so evident in a fly-thru animation; however, an aural rendering may make that space come alive in a way the fly-thru does not. As you know, different modeling techniques can inform you of different things.

As technology develops with new ways to “visualize” your complex architectural designs, wouldn’t it be nice to have a way to fuse them together? Why not visually render a space capturing its light levels at a specific time of day while also aurally rendering how it will sound during a specific function?

Really, the possibilities (and opportunities) become endless. The key is to pull the best of what technology has to offer so you are informed with vital information that helps you make great design decisions.

Don’t use computer technology as a crutch, but strive to push the boundary with them.

Reference:

(1) Sacks, Jonah & Pieleanu, Ioana. Technology Transforms Architectural Drawings into Aural Renderings. Architechweb.com. September 2009.

Image Credit: © Norebbo | Dreamstime

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through an architectural design lens.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Let’s enjoy the beauty, inspiration, and hope that music brings.


Thank you for joining me on this wondrous journey.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER® | Orchestral Notes

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through an architectural design lens.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Limited availability each month.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER

Author of PANTHEON OF WONDER

Maria Lorena Lehman has received the following awards and has been seen in the following publications: