Pantheon of Wonder

Essay

Abstraction of Colorful Light

The Future of Architecture as Impacted by Augmented Reality

by Maria Lorena Lehman

Augmented Reality

Architecture Drawing

Technological convergence has led us to the proliferation of the mobile device — and with that will come some big changes for the way architecture get perceived. You see, with mobile devices you will be able to perceive of buildings through more informational dimensions. In fact, by simply looking at a museum (when approaching it from the exterior), you may be able to use such a mobile device to see what exhibits are inside, or even to see what objects are inside. And this is all thanks to the “Articulated Naturality Web” — augmented reality. (1)

Before I go on, I’d like to show you what I’m talking about. Please have a look at the following video:

Such augmented reality advances seem to be a grand unifier — in that they unify information by removing boundaries of place, material, or time. By being able to configure a room visually, by standing within its space, and see the cost on the fly is quite amazing. And this unification of information that will be made available using augmented reality will impact the way buildings get not only perceived, but used.

In effect, buildings will “emit” more information, beyond the traditional sensory modalities. No longer will they solely be about material, light, sound, touch, and so on. Additionally, they will convey social, economic, cultural, and usability information — even before a visitor has stepped inside.

So, as you design, think about what information may get “unified” when it comes to your building. And also think about how that information will help that building to be perceived or used better. In other words, how can augmented reality information be used to make a building more beneficial to its users?

Just imagine a world where people could wear contact lenses that unified all of the information — whether physical or virtual. Buildings would become informational hubs, in addition to being physical centers. How might you design differently when knowing this? Mobile, real-time, unification of information may make you pay more attention to “approach” in entirely new ways. Or perhaps, the way you deal with “culture” would be different when knowing that that building’s culture can be “radiated” outward virtually — impacting its surrounding context in more transparent ways.

In the end, such augmented reality innovations help to bring architecture into the forefront as institutions that can push the boundaries, helping us to live better quality lives. So, tell me — what do you think of such innovations? How might they push you to design differently? And better?

(1) The Future of Augmented Reality Video

Image Credit: © szlagor | Flickr

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through an architectural design lens.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Let’s enjoy the beauty, inspiration, and hope that music brings.


Thank you for joining me on this wondrous journey.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER® | Orchestral Notes

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through an architectural design lens.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Limited availability each month.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER

Author of PANTHEON OF WONDER

Maria Lorena Lehman has received the following awards and has been seen in the following publications: