Pantheon of Wonder

Essay

Abstraction of Colorful Light

How to Use Environmental Psychology to Innovate Architecture

by Maria Lorena Lehman

Screencasts

Architecture Drawing

Introduction

This micro-lecture explores how environmental psychology can be used to innovate your architectural design. You see, by understanding how to dissect your occupants’ behavioral cues, you can gain insight into what aspects of your design to target for improvement. In this lecture, you will learn the five key dimensions that feed into occupant health, going beyond comfort, to impact interactions – all from an occupant-centered design approach. Watch this micro-lecture video now to learn more.

Transcript

00:05 Maria Lorena Lehman: This is Maria Lorena Lehman. In today’s micro-lecture we’re going to explore how to use environmental psychology to innovate architecture. With architectural design, it is important to know about the well-being of the occupants that use your building environments. For this we must assess the health of our occupants, and we can break health down into to five core, or key elements.

00:40 MLL: The first is physiological health, the second is intellectual health, the third is emotional health, the fourth is behavioral health, and the fifth is spiritual health. Architectural environments can impact all of these different types of health, and all of these five critical health types interconnect, in other words they each affect one another. So, when combining and looking at all of these holistically, we begin to see that these five key, critical aspects that architecture affects in occupants, and impacts their well-being, and it does so in terms of three types of interactions.

01:30 MLL: First is the individual interaction, where occupants are interacting or spending time with themselves — and as they do this, they are physiologically, intellectually, emotionally, behaviorally, and/or spiritually being impacted or affected. The second impact is social interaction, where occupants spend time and interact with each other. And the third is environmental interaction, where occupants interact more directly with the environment. So as you design, you can begin to look at the five key health breakdowns for occupants in terms of root leverage points, so these are points that you can look to, to begin to improve your design for occupant health. This means taking on an occupant-centered approach to design. And of course as health begins to impact the different interactions that occupants engage in, behavioral cues begin to manifest, and this is one way you can tell how your environments are being perceived, being used, and how they’re impacting or benefiting occupants — and from this you can begin to innovate your architecture.

02:57 MLL: By looking at the behavioral cues that your occupants exude, you can distill these cues down into health characteristics, which again are the physiological, intellectual, emotional, behavioral, and/or spiritual. And you can begin to design these environments so that they can tap into each of these dimensions more holistically, to help occupants thrive within your architecture space.

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through an architectural design lens.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Let’s enjoy the beauty, inspiration, and hope that music brings.


Thank you for joining me on this wondrous journey.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER® | Orchestral Notes

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through an architectural design lens.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Limited availability each month.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER

Author of PANTHEON OF WONDER

Maria Lorena Lehman has received the following awards and has been seen in the following publications: