Pantheon of Wonder

Essay

Abstraction of Colorful Light

The Value of User Control within Smart Spaces

by Maria Lorena Lehman

Smart Environment

Architecture Drawing

User Control Can Be Nuanced

Frequently, there are benches and chairs located in public spaces like parks, plazas, and restaurants. And often these chairs are bolted to the ground to prevent users from rearranging or stealing them. When a user sits in one of these chairs, they must adapt to the conditions set by the chair. This chair is constrained, in that it cannot be moved. Yet, when similar other chairs are not bolted to the ground and can be moved, just about every user actually moves that chair before sitting — even if they only move it a few inches. This shows the importance of user control within environments.

With the proliferation of smart spaces that are automated it is important to embed certain control points within the design system. And such control points can occur at either macro or micro scales. In the chair example described above, users only need to move a chair a few inches in most cases. But this slight movement makes all the difference. Thus, there are times when smart spaces may need user intervention or user feedback to help the system become smarter. Additionally, control over one’s environment may actually help an occupant to feel better about it.

User Control Can Make Design Smarter

Giving an occupant power to change some aspects of their environment could go a long way in helping them to feel not only more comfortable, but also like they have a role in shaping their own context. Thus, environments that do everything for occupants may not actually help occupants in the best way possible. Instead, it is better to design smart spaces that encourage occupants with interactive and/or adaptive systems that allow for occupant feedback and control at certain points.

By allowing smart spaces and user control points to coexist, it becomes possible to create environments that are even more responsive to the ever changing contexts which surround them. Building occupants can help the architecture to function better through control points, and the architecture can help the building occupants to uplift their own quality of life. It becomes a win-win situation.

User Control and Smart Design Are Not Opposites

When designing, remember that your building occupants and their behavioral choices become a part of your design once it is in use. Thus, it becomes helpful to think along these lines when designing — to factor for how your smart spaces will communicate with occupants. Smart spaces should not be solely about forcing occupants to live in an automated environment where they have to adjust themselves to it in order to be most comfortable. Instead, smart spaces can invite occupants to interact with its systems in order to fuel more of a two-way communication between environment and occupant.

User control and smart space design are not opposite conditions that an architect must choose between. Instead, these two states can exist together within the same environment — supporting one another with each interaction.

‍Image Credit: © Seraphim Vector | Fotolia

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through an architectural design lens.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Let’s enjoy the beauty, inspiration, and hope that music brings.


Thank you for joining me on this wondrous journey.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER® | Orchestral Notes

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through an architectural design lens.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Limited availability each month.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER

Author of PANTHEON OF WONDER

Maria Lorena Lehman has received the following awards and has been seen in the following publications: