Pantheon of Wonder

Essay

Abstraction of Colorful Light

Semi- Invisible Technonlogy Within Architecture Is Best For Occupants

by Maria Lorena Lehman

Technology

Architecture Drawing

Advancements involving architecture are most always a great thing. But what happens when such advancements like technology detract from an architectural design? I think the answer to this lies in the hands of the individual architect for that given project —specifically regarding what aspects of technology they choose to make visible versus invisible.

You see, technology for architecture can bring much value to a project — giving it new kinds of capabilities. But there are also times when a given technology exudes “side-effects” which conflict and/or detract from a design. An example of this “foe” relationship between architecture and technology can be seen in all sorts of building types ranging from retail stores to hospitals.

Take, for instance, the lighting in a clothing store. If not specified correctly, flourescent lighting in the dressing rooms may detract from the very purpose of the store: to sell clothes. The painful lighting makes those trying on clothes look worse, not better. Conversely, well specified lighting would be semi- invisible technology as it would make the occupant benefit from great lighting, without thought of where it is coming from. It would simply become a seamless part of the shopping experience.

In hospitals, medical technology helps to save lives, makes the building more efficient, and serves to assist patients in pain. There exists a “friend” relationship between architecture and technology until…those side-effects surface. From lighting to the aural environment, hospitals could stand to be better. After all, painful lighting from overhead and stressful sounds coming from surrounding machines detract from the healing atmosphere which the medical team and architecture try to create for patients. Again, semi- invisible technology would still save lives — but would do so in a less overwhelming and abrasive way.

In the end, architecture and technology can yield a very strong relationship where each brings value to the other. But what is the factor that makes this possible — tuurning them from “foes” into “friends”?

Perhaps it is the notion of having an invisible technology where functions are elevated within architecture because of it — but where side-effects and trade-offs are non-existant. To accomplish this, a holistic sensory design mindset is necessary, where you as a designer factor for a multitude of senses within your design. In this way, you will be aware of when technology issues a trade-off, and you will be able to correct it.

So, back to the question: Are architecture and technology “friends” of “foes”?

I would say “friends”, if the architect designing for them takes advantage of an invisible technology mindset, thus obliterating technological side-effects and trade-offs. It’s a way to get to the benefit of technology without any of the obstacles or risks.

Image Credit: © Dreamstime

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my full attention to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer and spatial symphonist.


It is my hope that I can share my ongoing musical journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical works.


I would love for you to join me for this exciting new chapter.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Let’s enjoy the beauty, inspiration, and hope that music brings.


Thank you for joining me on this wondrous journey.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER® | Orchestral Notes

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my full attention to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer and spatial symphonist.


It is my hope that I can share my ongoing musical journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical works.


I would love for you to join me for this exciting new chapter.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Limited availability each month.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER

Author of PANTHEON OF WONDER

Maria Lorena Lehman has received the following awards and has been seen in the following publications: