Pantheon of Wonder

Essay

Abstraction of Colorful Light

Why Ubiquitous Computing Should Be Goal Oriented

by Maria Lorena Lehman

Smart Environment

Architecture Drawing

The smart environment is made up of numerous ubiquitous computing devices. They each function to sense and actuate according to a given occupant’s need. But what happens when one device contradicts the other? How can the devices cooperate so that a ubiquitous computing environment responds correctly, as a whole?

The paper Smart Environments and Self-Organizing Appliance Ensembles raises the very interesting question, “How do you control devices you do not perceive?”. An answer to this question revolves around goal oriented device cooperation. You see, the smart system cannot rely on the user to provide a step-by-step process of how each device should behave. Similarly, the designer cannot predict all combinations of how an ensemble ubiquitous computing environment needs to respond. Instead, a system may be driven by a user’s goal – where the system generates the strategy.(1)

Within a smart environment, “goal based interactions” are likely to be at its heart. How a computing device carries out a function is not what matters most to a user. It is rather the effectof ubiquitous computing devices that is key.(1) 

A user’s needs may be quite varied and the smart environment’s devices must cooperate with each other in unison. In addition, as users add or remove devices to their smart environment, ubiquitous computing technologies must easily allow for such user changes.(1) In the end, a goal oriented approach calls for a dynamic system, so the user’s needs are met – even as they change in real-time.

The smart environment will be able to simultaneously feed the senses so occupants can carry out a multitude of functions. With few interface techniques a user may communicate based on their intention; and therefore, their goals. Smart environments will work seamlessly to orchestrate a smart space through context aware techniques. Appliances will form an ensemble, giving rise to architectural space that yields greatest value.

Reference:

(1) Heider, Thomas & Kirste, Thomas Smart Environments and Self-Organizing Appliance Ensembles. Rockstock University. Germany.

Image Credit: © Marinini | Dreamstime

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Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my full attention to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer and spatial symphonist.


It is my hope that I can share my ongoing musical journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical works.


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Author of PANTHEON OF WONDER

Maria Lorena Lehman has received the following awards and has been seen in the following publications: