Pantheon of Wonder

Essay

Abstraction of Colorful Light

Greening Modernism by Carl Stein (Book Review)

by Maria Lorena Lehman

Reviews

Architecture Drawing

Title: Greening Modernism by Carl Stein (affiliate link)

URL: Greening Modernism by Carl Stein (affiliate link)

Purpose: Greening Modernism’s author, Carl Stein, makes a case for a more unified and holistic architecture that reaches a sustainable synergy through building reuse, with particular attention to the balance between the qualitative aspects of science and the more effect-driven aspects of utility and human experience.

Book Cover

Merging the Finite with the Wisdom of Occupant Experience

This beautiful book, Greening Modernism (affiliate link), encourages readers to take on the finite nature of natural resources, as they may serve as impetus to design buildings which offer occupants more meaningful human experiences. In his discussion, the author Carl Stein, highlights the relationship between occupant and building — where “limitation” can be used to re-frame design problems, and thus, lead to more holistic and cooperative design solutions that invite occupants to connect with their environment in ways that meet today’s environmental challenges while still offering, what Stein calls, the “authentic human experience”.

Often emphasized in this book is the notion of how the authenticity of experience is frequently missed due to our lack of awareness regarding the finite nature of that which surrounds us: the environment, its resources, and the energies which buildings utilize (for their demolition, construction and operation). I agree with Stein as he eludes to the notion that authentic experiences are hard to come by these days, as there is an epidemic of “devalued experience”, which may be a by-product of the lack of awareness that our resources are, in fact, limited.

As you may surmise, Greening Modernism offers a narrative that will lead you through the strategies, relationships and consequences of how to “build” sustainably for our time, complete with color images that often serve to reinforce the links between what we need to do, and what has been done.

Energy, Restraint and Smart Reuse: Beyond ‘Buildings as Objects’

As one delves deeper within Greening Modernism (affiliate link), Carl Stein invites his reader to look beyond ‘given’ systems of analysis — to question what already exists, to decipher what will be required to meet human need, and to weigh architectural design strategies to find new and smarter ways to both preserve and reuse resources.

Astutely, Carl Stein investigates the interrelationships between ‘quantified analysis’ and ‘subjective effects’ with such questions that weigh the thought process of decision-making between specifics like the importance between a “5% increasing cooling load [versus] a visual connection to the outside world”. (Stein, 192) Thus, through both its big-picture and detail-oriented lens, Greening Modernism is an insightful read in that it juxtaposes architectural design’s larger challenges with specific scenario-based solutions and applications, so you can see how truly sustainable and holistic architectural design thinking might play out.

Building Systems and Controls That Interconnect Rather Than Divide

As an architect, reading Greening Modernism (affiliate link) will be time well spent. It offers strategies to tackle both the simple and complex with the intent of keeping building occupants in touch with what is most important — achieving a more sustainable architecture and way of living where, through occupant behavior, they never lose ‘touch’ with that which surrounds them.

For instance, Carl Stein explains how automated and manual building control systems may serve different purposes when each is taken to its extreme. And as such, each scenario has caveats as well. The fully automated building system that self adjusts and self corrects may be more efficient in real time, but as Carl Stein explains, it may further disconnect building occupants from their environment, in turn, making them lose touch with the cause-and-effect relationships between their building, its operations, other occupants and the larger surrounding environmental context. (Stein, p. 215)

In the end, Greening Modernism (affiliate link) presents a way forward where sustainable design becomes more than just about efficiency and quantitative analysis — Carl Stein, instead, suggests how meaning can be further developed within architecture, particularly when that architecture has been designed in true synergy with the environment, not for the sole purpose of saving limited resources, but to also design buildings that are truly worth experiencing.

To learn more or to buy Greening Modernism, please click here. (affiliate link)

Review by Maria Lorena Lehman, Founder of Sensing Architecture

Reference:

1) Stein, Carl. Greening Modernism: Preservation, Sustainability, and the Modern Movement. New York: W. W. Norton & Company, 2010.

Disclosure: Please note that the book entitled Greening Modernism was provided to me for free by the publisher for the purposes of this book review publication. 

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Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through an architectural design lens.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


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Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Let’s enjoy the beauty, inspiration, and hope that music brings.


Thank you for joining me on this wondrous journey.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER® | Orchestral Notes

Your invitation:


Dear reader,


I believe life is a continual process of awakening. As the journey of my own life continues, I always find myself connecting my experiences, studies, and ideas to new creative projects that bring beauty, inspiration, and hope for our world. For over 30 years, since starting at age 17, I have immersed myself in architectural design; and early on, I earned a Master of Design with Distinction from Harvard University, setting the foundation for decades of deep immersion in the field. Yet even before this, I held music close to my heart. At the age of 5, I began my first piano lessons; and since then, I began to see the world through a musical lens — even while designing architecture.


Over the decades, I grew closer and closer to music with a deep love for the design of instruments, their unique timbres, and for all the immersive ways their sounds could be interwoven into beautiful orchestrated compositions. I even began to develop a musical composition methodology, Spatial Symphonics, as I found my architectural design work becoming more and more emotive, soul-stirring, and yes: musical.


In recent years, I finally turned my focus to music composition. I hold a Graduate Diploma from the Film Scoring Academy of Europe where my works have been recorded by the acclaimed European Recording Orchestra (ERO), and I am founder of MLL ATELIER® — an award-winning studio now dedicated to my work as an orchestral composer, recording artist, and spatial symphonist — where I advance architectural design through music, and innovate music through an architectural design lens.


It is my hope that I can share my ongoing musical-design journey with you, directly from my studio through my video-newsletter entitled 'Orchestral Notes'. Expect video updates filled with first-access studio news announcing: album/book releases, concert premiers, sheet music publications, creative process sneak-peeks, and my own compositional philosophies as they develop to fuel my ongoing body of musical and architectural authorial works.


I would love for you to join me for this exciting adventure.


Simply click the button below to join my Orchestral Notes video-newsletter delivered every two weeks directly to your email inbox. Plus, get access to the full publication archives.

Limited availability each month.


Warmly,

Maria Lorena Lehman


Founder of MLL ATELIER

Author of PANTHEON OF WONDER

Maria Lorena Lehman has received the following awards and has been seen in the following publications: